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— and it hinges on an unlikely friendship that could only exist in the movies. It’s the most Besson thing that is, was, or ever will be, and it also happens for being the best.
The story centers on twin 12-year-old girls, Zahra and Massoumeh, who have been cloistered inside for nearly their entire lives. Their mother is blind and their father, concerned for his daughters’ safety and loss of innocence, refuses to let them over and above the padlock of their front gate, even for proper bathing or schooling.
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Just lately exhumed with the HBO sequence that observed Assayas revisiting the experience of making it (and, with no small number of stress, confessing to its continued hold over him), “Irma Vep” is ironically the project that allowed Assayas to free himself from the neurotics of filmmaking and tap into the medium’s innate feeling of grace. The story it tells is a straightforward a single, with endless complications folded within its film-within-a-film superstructure like the messages scribbled inside a kid’s paper fortune teller.
Opulence on film can sometimes feel like artifice, a glittering layer that compensates for an absence of ideas. But in Zhang Yimou’s “Raise the Purple Lantern,” the utter decadence of the imagery is actually a delicious added layer to a beautifully composed, exquisitely performed and utterly thrilling piece of work.
We can never be sure who’s who in this film, and whether or not the blood on their hands is real or perhaps a diabolical trick. That being said, 1 thing about “Lost Highway” is absolutely set: This could be the Lynch movie that’s the most of its time. Not in a bad way, of course, though the film just screams
This Netflix coming-of-age gem follows a shy teenager as she agrees to help a jock acquire over his crush. Things get complicated, nevertheless, when she develops feelings to the same girl. Charming and authentic, it will wind up on your list of favorite Netflix romantic movies in no time.
won the Best Picture Oscar in 2017, it signaled a whole new age for LGBTQ movies. From the aftermath of your surprise Oscar win, LGBTQ stories became more complex, and representation more diverse. Now, gay characters pop up as leads in movies where their sexual orientation is really a matter of actuality, not plot, and Hollywood is adding on the conversation around LGBTQ’s meaning, with all its nuances.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-aged directing with the swagger of tube8 the young porn star in possession of a massive
Navigating lesbian themes was a tricky undertaking while realitykings in the repressed ecosystem of your early sixties. But this revenge drama experienced the benefit of two of cinema’s all-time powerhouses, Audrey Hepburn and Shirley MacLaine, during the leading roles, as well as three-time Best Director Oscar winner William Wyler with the helm.
Dripping in radiant beauty by cinematographer Michael Ballhaus and Aged Hollywood grandeur from composer Elmer Bernstein, “The Age of Innocence” above all leaves you with a feeling of sadness: not for a previous gone by, like so many period pieces, but to the opportunities left un-seized.
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This sweet tale of an unlikely bond between an ex-con in addition real porn to a gender-fluid young boy celebrates unconventional LGBTQ families as well as ties that bind them. In his best movie performance since The Social Network
When Satoshi Kon died from pancreatic cancer in 2010 with the tragically premature age of 46, not only did amateur porn the film world drop certainly one of its greatest storytellers, it also lost certainly one of its most gifted seers. Nobody experienced a more precise grasp on how the digital age would see fiction and reality bleed into each other to the most private levels of human perception, and all four on pornh the wildly different features that he made in his temporary career (along with his masterful Television show, “Paranoia Agent”) are bound together by a shared preoccupation with the fragility of the self while in the shadow of mass media.